清(qī(🔢)ng )末民初，日本人(rén )以荣亚矿业公司(sī )为壳(ké )，瞄上了南(nán )灵镇的皇墓，试(🌽)(shì )图(🛥)盗(dà(💤)o )取国(🏮)宝，荣(🏕)亚矿(🚧)(kuàng )业(🤞)的负(😷)责人(🔨)(rén )藤(⛑)川负责调查“镇灵(líng )玺”。一日，收(shōu )到线报，称(chēng )南(🌾)灵(lí(🧒)ng )镇花(👀)(huā )家(🐁)少爷(🎛)花易(🚽)(yì )天(🤖)在最(🦀)近的(👉)一次(cì )倒斗中，掌握了国宝(bǎo )线索。藤川(chuān )盯上了花易天，而此(cǐ )时，花易天一方(fā(🤱)ng )面要(🛎)面对(🅾)日(rì(✖) )本人(rén )的虎视眈眈，一(yī )方面遭到了花家(jiā )分舵主王中鹤的(de )反水(shuǐ )，失去了(💡)花(huā(🚂) )家镇(⛩)外六(⛅)部势(🛃)力(lì(⛽) )。内(nè(🔆)i )忧外(🔬)患之(✊)下，花(huā )易天以肥斗(dòu )美差招来了高手慕长(zhǎng )风助(🛵)自己(🙅)一臂(🆚)之(zhī(🍛) )力。机(🏚)缘巧(📑)(qiǎo )合(🐑)下(xià(🏚) )爱上(🏓)(shàng )了花易天青(qīng )梅竹马的未婚妻(qī )唐婉云的慕长风与花(huā )易天里应外(wài )合，在(♎)“花魁(🔁)十(shí(🍼) )年庆(👈)(qìng )”时清盘了王中(zhōng )鹤势力。没(méi )想到(dào )逃走的王中鹤绑(bǎng )架了唐婉云和花(🐤)(huā )易(🔚)天极(🌔)尽折(🌳)磨，虽(㊙)然(rá(🤪)n )二人(➡)侥幸(🦉)逃(tá(🚆)o )出，但是花易天(tiān )身体(tǐ )和精神全都元气(qì )大伤，一(🍨)蹶(juě(🚐) )不振(💆)。花易(✡)天能(🕑)否重(🛬)(chóng )新(😭)振作(⏸)?又能(💰)否联(lián )手慕长风终(zhōng )结日(rì )本人(rén )的阴谋，守(shǒu )护住属于中国的(de )镇灵宝?

Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

清末民(🤖)初军(🐉)阀(fá(🚠) )四起(🐉)战火绵(mián )绵，老百姓深陷(xiàn )水深(shēn )火热之中，很多(duō )人妻离子散(sàn )，家(jiā )破人(😜)亡。然(🏌)而有(🍖)(yǒu )一(🥞)座偏(📔)远的(🤨)小山(🕗)(shān )镇(🌏)，却独(🐧)享着这(zhè )一片(piàn )安宁。但好(hǎo )景不长，镇上突(tū )然发(🌧)(fā )生(🤨)了一(🔂)些离(🍴)奇命(🐾)(mìng )案(🎭)，死去(👺)的(de )都(🔗)是村(🌨)里的青年壮汉(hàn )，闹的人心惶惶(huáng )。一向夜不(bú )闭户(hù )的他(tā )们天还没黑(hēi )就关(🍏)门上(😯)锁，不(🎱)(bú )再(🎧)外出。但这并非长(zhǎng )久之计，镇(zhèn )长为此召集百姓(xìng )，筹(chóu )集钱财招揽能人(ré(👼)n )异士(🗳)，希望(🍯)(wàng )能(🍑)找(zhǎ(🐻)o )出根(😎)源，除(🛤)去祸(⏸)(huò )患(⛴)。

The story of life of a woman Mehri who unintentionally enters into an unknown problem and is searching for a solution for that.

一名男子不(bú )滿一樁冤獄案件(jiàn )的發(fā )生，私自綁(📀)(bǎng )架(🕣)審判(🛎)該案(🕔)的法(😪)(fǎ )官(🍃)，將其(🏹)囚禁(🏝)於地(🚊)下(xià )室，並錄影(yǐng )開直播，公開質疑其(qí )判決有誤，要求(qiú )社會大眾對(duì )其進(jìn )行(📏)公(gō(🏽)ng )審並(🏯)投票(🍢)，然而最終的結果(guǒ )，會因此撼動程序正(zhèng )義嗎？

麦昆(kūn )本想给女友来一(yī(🎱) )场创(🚾)(chuàng )意(🆗)十足(🕤)的求(🍪)婚，但(📗)在毫(😶)无预(💓)(yù )兆(❄)的(de )情况下结束了一(yī )场轰轰烈烈的爱(ài )情，结局悲(🌬)惨而(🥧)(ér )可(📴)笑(xià(🆑)o )……(🎲)在经(💪)历(lì(🐆) )过失(🤶)恋博(♊)物馆中(zhōng )的种(zhǒng )种“失败”后，麦昆放下了(le )，觉得那段失败的爱(ài )情反而激励了自(zì(💔) )己，让(🍗)自己(🖖)(jǐ )学(🎟)会(huì )了如(rú )何去爱一个(gè )人，用什么样的(de )方式让双方相处，也(yě )明白了自己(🚌)(jǐ )该(🈹)选择(🚘)去爱(⚾)一个(📝)什么(🥑)(me )样的(🎟)女孩(⛴)。

少年(📚)莊崇斌無法(fǎ )忍受(shòu )同學的欺凌，決(jué )定跳樓結束(🔓)受欺(❎)(qī )凌(👌)的生(🎵)活，警(📜)察趙(🎰)順(shù(👧)n )昌及(🌨)時出(👎)現(xiàn )，給了少年鼓勵(lì )和勇(yǒng )氣。

华小帅性格(gé )腼腆懦弱，时常陷入自我幻想中(zhō(🍪)ng )无法(🎽)自拔(🎠)。刚进(💬)(jìn )大学就被“热心(xīn )”学(xué )长强势欺负(fù )。又因为性格内(nèi )向无法融入集体，三(🤮)(sān )个(😌)室友(💾)为了(💙)(le )帮助(😕)他走(🔴)出自(🎰)我，决(🛠)(jué )定(🉑)“强迫”他追(zhuī )求班花、做(zuò )自我(wǒ )激励训练。然而(é(🚩)r )事与(😚)愿违(👸)，华小(🧤)(xiǎo )帅(📮)屡屡(🚞)挫败(🚲)，意外(🔪)不(bú(🌪) )断，期间杀(shā )出跑车男来搅局(jú )，华(huá )小帅阴差阳错被(bèi )班花“指定(dìng )”成男友，他还(💲)没来(🍲)(lái )得(🌰)及高(🌶)兴又“被(bèi )分手”了，经历(lì )了短(duǎn )暂的“爱情(qíng )”波折后华小帅(shuài )反而有所领悟(💺)。在一(🕑)(yī )次(😦)偶遇(👅)交通(🥇)(tōng )事(📛)故中(🔊)，华小(🗻)帅的(🌛)内(nèi )心彻底被点燃，他挺身而出(chū )拦下(xià )肇事的跑(😁)车男(🌤)，同时(📢)也认(🍤)识了(⛵)郝(hǎ(🍢)o )玉清(🚮)，从此(🌍)他也(😍)逐渐(jiàn )打开心门，勇敢地做自己。小帅(shuài )和三个好兄弟上(shàng )演了一出爆(bào )笑青春(📹)成长(🏠)故事(🧢)。

The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people.

UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.